The EU '3D-Icons' project aims to create highly accurate 3D models and a range of other materials (images, texts and videos) of iconic and internationally important monuments and buildings across Europe and to provide access to this data on line.

Over 130 monuments and buildings from Ireland, including decorated high crosses, the island monastery of Skellig Michael, the passage tombs of Knowth and Newgrange, and the ceremonial landscape of Tara are featured in this digital collection. In addition to making content available on line, this data has the potential to be of benefit to such sectors as education, tourism, the creative economy, conservation and monitoring of cultural heritage sites.

The site will continually be updated with new sites and functionality to enhance your experience.

Tá sé mar aidhm ag an togra Eorpach 'Íomhánna 3D' samhaltáin fíor-bheacht 3D agus réimse ábhair eile (macasamhail, téacsanna agus físeáin) a chruthú d'fhoirgintí agus séadchomharthaí íocónacha ar fud na hEorpa a bhfuil clú idirnáisiúnta ortha. Ina theannta sin, cuirfear an bailiúcháin digiteach seo ar fáil mar rochtain foinse oscailte.

I measc na 130 foirgintí agus séadchomharthaí as Éirinn a chuirfear ar fáil sa bhailiúchán seo, beidh ardchrosa mhaisithe, an mhainistir oileánach Sceilg Mhichíl, tuamaí pasáiste Chnóbha agus Sí an Bhrú agus tírdhreach deasghnách na Teamhrach.

Chomh maith leis an ábhar seo a chur ar fáil ar líne, beidh earnálacha oideachais, turasóireachta, tionscail cruthaitheachta, caomhnaithe agus monatóireachta suíomhanna oidhreacht chultúrtha in ann tairbhe a bhaint as an bhfoinse seo.

Leanfar ag cur leis na séadchomharthaí agus le feidhmiúlacht an suímh seo chun d’eispéiseas a shaibhriú.

  • Data Capture

    In recent years the development of technologies and techniques for the surface data capture of three-dimensional artefacts and monuments has allowed both geometrical and structural information to be documented. Several approaches have been developed,...

  • Modelling

    3D post-processing is a complex procedure consisting of a sequence of processing steps that result in the direct improvement of acquired 3D data (by laser scanning, photogrammetry), and its transformation into visually enriched (and in some cases sem...

In recent years the development of technologies and techniques for the surface data capture of three-dimensional artefacts and monuments has allowed both geometrical and structural information to be documented. Several approaches have been developed, each of which addresses different circumstances and records different characteristics of the 3D artefact or monument. At present there is a wide range of 3D acquisition technologies, which can be generally classified into contact and non-contact systems. Contact systems are not popular in the Cultural Heritage (CH) domain as they require physical contact with potentially fragile artefacts and structures.

In contrast, non-contact systems have been used over the last decade in many CH digitisation projects with success. Non-contact systems are divided into active (thosewhich emit their own electromagnetic energy for surface detection) and passive (those which utilise ambient electromagnetic energy for surface detection).

Active range-sensing instruments work without contact with the artefact and hence fulfil the requirement that recording devices will not potentially damage the artefact. In addition, their luminous intensity is limited to relatively small values and thus does not cause material damage (e.g. by bleaching pigments). These two properties make them particularly adapted for the applications in CH, where non-invasive and non-destructive analyses are crucial for the protection of heritage.

The capabilities of the different technologies vary in terms of several criteria which must be considered and balanced when formulating appropriate campaign strategies. These include:

IMAGE-OF-HEIRARCHY-OF-CAPTURE-METHODS-WEB  Resolution – the minimum quantitative distance between two consecutive measurements.

• Accuracy - what is the maximum level of recorded accuracy?

• Range – how close or far away can the device record and object?

• Sampling rate – the minimum time between two consecutive measurements?

• Cost – what is the expense of the equipment and software to purchase or lease?

• Operational environmental conditions – in what conditions will this method work, i.e. is a dark working environment required?

• Skill requirements – is extensive training required to carry out the data capture technique?

• Use – what the 3D data will be used for, i.e. scientific analysis or visualisation?

• Material – from what substance is the artefact/monument fabricated?

There are significant variations between the capabilities of different approaches. For example, triangulation techniques can produce greater accuracy than time-of-flight, but can only be used at relatively short range. Where great accuracy is a requirement, this can normally only be achieved with close access to the heritage object to be digitised (< 1m). If physical access to the artefact is difficult or requires the construction of special scaffolding, other constraints need consideration (e.g. using an alternative non-invasive technique). Alternatively, if physical access is impractical without unacceptable levels of invasive methods, then sensing from a greater distance maybe required utilising direct distance measurement techniques (TOF, Phase Deviation) leading to less accurate results. When selecting the appropriate methodology, consideration must also be given to the length of time available to carry out the data collection process and the relative speed of data capture of each technology.

DIscovery Programme Logo White Landscape ENGLISH

DIscovery Programme Logo White Landscape IRISH

HERITAGECOUNCILlogoLR

CIP_LOGO_1

OPW-Logo

3D icons Logo

NIEA Logo

Arts Heritage and the Gaeltacht

Back to top